Spurling, who wished to protract the discovery of the escape as long as possible. “And all the rest of it perhaps is a song. She remained by the door until the walls of the city swallowed the bobbing lantern. He whispered in her ear. Ennison. "I mean to have no one but yourself in it. “Hi Lucy. We tolerate you for your genius, that's a fact. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. This is her first adventure. —Sorry to quit your lord—worships, I mean,—I don't know what I mean," she added, a little confused, and dropping a profound curtsey to the disguised noblemen, each of whom replied by a bow, worthy, in her opinion, of a prince of the blood at the least,—"but I've a few necessary orders to give below.
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