" He signalled to Ah Cum; and the two of them crossed on foot into the city. ‘Soldier of fortune. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. "He is," replied a portly personage, arrayed in a gorgeous yellow brocade dressing-gown, lined with cherry-coloured satin, and having a crimson velvet cap, surmounted by a gold tassel, on his head. "That's not an easy question to answer," rejoined Blueskin. There were moments when she doubted whether the whole mass of movements and societies and gatherings and talks was not simply one coherent spectacle of failure protecting itself from abjection by the glamour of its own assertions. But, say we're friends.
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