They stood for a moment in the passage and listened. Ann Veronica intervened a little in the novelist discussion with a defence of Esmond and a denial that the Egoist was obscure, and when she spoke every one else stopped talking and listened. “This girl—she’s really a very charming, frank person—had had her imagination fired, so she told me, by a school performance of Romeo and Juliet. Warding off the blows as well as he could with the bar, Jack struck both the horses on the head, and the animals plunged so violently, that they not only prevented their riders from assailing him, but also kept off the hostlers; and, in the confusion that ensued, Jack managed to spring over the fence, and shaped his course across the field in the direction of Sir John Oldcastle's. I waited until he was asleep and then I tied him up with some duct tape and some old rope he had in the shed. She read beautifully because the fixed form of the poem signified nothing.
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